Baramulla on Netflix (Credit: OpenAI)
Baramulla is not a typical horror movie and it does not try to scare the viewer with ghosts or darkness but instead it tells a story of memory and sadness that remains inside a person even after years of separation, showing how one may survive physically but still feel emotionally uprooted from a place once called home, and the film focuses on quiet pain instead of loud fear which makes it more powerful and deeply touching for the audience.
The film follows DSP Ridwaan Sayyed, played by Manav Kaul, who begins by investigating missing children in Baramulla where only small locks of hair are left behind, but the case slowly turns into something connected to history and emotion, revealing wounds that were never healed, and as Ridwaan learns more, the mystery becomes personal, making the story not just about crime but about grief that has lived silently in the land for years.
The film creates fear not through sudden sounds or ghosts but through silence, memory and helplessness, making the viewer feel the pain of a person who has lost their roots and identity, and this kind of fear is slow, deep and painful because it is real and connected to history, turning Baramulla into a story that scares the heart instead of the eyes.
Manav Kaul plays Ridwaan with strong emotional depth as a man trying to stay firm outside while breaking slowly inside, he expresses pain without shouting, his silence speaks louder than words, his moments with his daughter show real emotional struggle, and overall his performance feels honest, heavy and memorable, making the viewer feel connected to his journey and his inner conflict.
Bhasha Sumbli plays Ridwaan’s wife with quiet strength and deep sadness, she shows how grief can live silently inside a home, her eyes tell stories of memories and loss, and her presence adds emotional weight to the film, making the narrative more personal and human, especially for those who still remember the pain of separation.
The climax does not scream or shock but speaks straight to memory and history, reminding the viewer of the painful exodus of Kashmiri Pandits, and the film treats this moment with sensitivity, respect and truth, leaving the viewer silent with emotion, showing that the real horror is not supernatural but the pain of losing home, identity and belonging forever.
The first half of the film feels slow and some scenes try to build tension that is not needed, but once the film finds its true emotional direction, it becomes steady, deep and powerful, turning into a story that is not just watched but felt, and by the end the viewer realizes that Baramulla is not a thriller but a memory that stays inside the heart long after the movie ends.
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